Will was raised in the rural southern community of Sautee-Nacoochee, Georgia, a picturesque and charming region that instilled in him a strong sense of community and values that would later shape his artistic pursuits.
After graduating with a degree in theatre from Brenau University in Gainesville, he relocated to Atlanta, where he spent a few months working within the city's vibrant theatre community, honing his craft and making connections that would serve him well in the years to come.
His big break came when he starred in the Southeastern Theatrical Premiere of Wendy Wasserstein's final play, Third, a critically acclaimed production that showcased his impressive range and versatility as a performer.
Following the success of Third, he made the bold decision to move to Los Angeles, where he was cast as Mordred in David Lee's revitalizing production of Lerner and Loewe's Camelot, a classic musical that has been delighting audiences for generations.
His next notable role was the highly acclaimed premiere production of Tom Jacobson's play, The Twentieth Century Way, in which he created the role of Brown, a performance that earned him a nomination for the LA Stage Alliance Ovation award for Best Actor in a Lead Role.
In addition to his impressive stage work, Will has also made a name for himself in the world of film, making his debut as the young naval ensign William H. Flood in Scott Free's production of Killing Lincoln on the National Geographic channel, starring Tom Hanks as narrator and Billy Campbell as Abraham Lincoln.
In recent years, he has continued to thrive in both stage and screen, with notable roles including Eugene Marchbanks in George Bernard Shaw's Candida with Two River Theatre Company, the psychotic child, Roger, in Barrington Stage's Lord of the Flies, and his off-Broadway debut in another of Shaw's plays, Man and Superman as the poet, Octavius Robinson.
In 2014, he left New York for Los Angeles to play the role of Conrad Arkadina in The Theatre @ Boston Court's production of Stupid F*cking Bird, written by Aaron Posner and directed by Michael Michetti, a move that marked a new chapter in his already impressive career.
