Born in the year 1980, within the borders of Kanagawa, a prefecture situated in the Kanto region of Japan, this artist's life journey commenced.
Currently residing in the vibrant metropolis of Tokyo, this creative individual continues to nurture their artistic passion within the heart of Japan's capital city.
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Mohri, a visionary installation artist, is renowned for his innovative approach to transforming reconfigured everyday items and machine parts gathered from cities across the globe into intricately designed, self-sustaining 'ecosystems'.
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Mohri's artistic endeavors, rooted in new-media art, delve into the realm of circuits and connectivity, as she explicitly expresses her preference for gravity, magnetism, light, and wind to govern her creative processes. By doing so, she recontextualizes forces such as gravity and electricity as otherworldly and unpredictable entities, imbuing her installations with an inherent sense of the nonhuman and the uncontrollable.
In her artistic practice, Mohri establishes complex systems, only to subsequently relinquish her agency, allowing the circuits to unfold and develop according to their own inherent dynamics. This deliberate decision underscores her willingness to surrender control, permitting the nonhuman and unpredictable forces she has set in motion to shape the final outcome.
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Noted sound-based assemblage artist, Chiharu Mohri, draws inspiration from the unconventional approaches of experimental pioneers Erik Satie, Marcel Duchamp, and John Cage, whose affinity for chance operations has significantly influenced her creative process.
By embracing contingency and improvisation in her installations, Mohri seeks to replicate the appearance of the world and human essence through the lens of new materialism, a philosophical perspective that emphasizes the agency of matter.
Her kinetic sculptures can be interpreted through the lens of four key concepts: coincidences, which refer to unforeseen events that occur by chance; errors, which denote unintended outcomes; portents, which allude to potential future events; and silence, which signifies the absence of sound or action.
In recent years, Mohri has expanded her artistic repertoire to include video and photography, utilizing scanner technology to explore these same themes and ideas.
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Mohri's artistic journey took a significant turn in 2015, as she was awarded a grant from the esteemed Asian Cultural Council, enabling her to embark on a six-month residency in the vibrant city of New York.
This remarkable opportunity was followed by another notable achievement, as she received the prestigious Grand Prix at the Nissan Art Award in the same year.
Building upon her success, Mohri went on to undertake a residency with the renowned Victoria and Albert Museum in London in 2016, further solidifying her artistic reputation.
Additionally, she was also in residence at the esteemed Camden Arts Centre in London during the same year, allowing her to hone her craft and explore new creative avenues.
In 2018, Mohri's role as East Asian Cultural Exchange Envoy took her on a fascinating journey, as she visited four cities in China, fostering cultural exchange and understanding between nations.
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Yuko Mohri is a prolific artist whose recent solo exhibitions have garnered international attention. Her notable solo shows include "slower than slowly" at Mother's Tankstation Limited in Dublin, "summer rains" at SCAI THE BATHHOUSE in Tokyo, and "Yuko Mohri: Assume That There Is Friction and Resistance" at Towada Art Center in Aomori, Japan, in 2018.
In addition to her solo exhibitions, Mohri's work has been featured in numerous group shows. Notable group exhibitions include "The 5th Ural Industrial Biennial of Contemporary Art: Immortality" in Ekaterinburg, Russia, "Weavers of Worlds: A Century of Flux in Japanese Modern / Contemporary Art" at the Museum of Contemporary Art in Tokyo, and "Visible Soul: Around the Asia Collection of Benesse Art Site Naoshima" at Fukutake House in Okayama, Japan, all in 2019.
Other notable group exhibitions featuring Mohri's work include "The 9th Asia Pacific Triennial of Contemporary Art" in Brisbane, Australia, "Childhood" at Palais de Tokyo in Paris, "Rehearsal" at Tai Kwun Contemporary in Hong Kong, and "Going Away Closer" at Centro de Arte Contemporáneo Wifred Lam in Havana, all in 2018.
Mohri's work has also been included in several prominent international biennales, including "Japanorama: New Vision on Art since 1970" at Centre Pompidou-Metz in 2017, "14th Biennale de Lyon" in 2017, and "Kochi-Muziris Biennale 2016" in Kochi, India, in 2016.
Her work is held in the collections of several prominent museums, including Centre Pompidou in Paris, M+ in Hong Kong, Musée d'art contemporain de Lyon, Museum of Contemporary Art Tokyo, and Queensland Art Gallery | Gallery of Modern Art in Brisbane, Australia, among others.
