Natasha, a graduate of the Royal Conservatory of Dramatic Arts in Brussels, continued her training under the guidance of renowned instructors including Jordan Beswick, Jack Waltzer, Susana Lastreto, Boris Rabey, Nita Klein, Mathilde Monnier, Frederic Fonteyne, Ariane Mnouchkine, and others. Of Russian origin, Natasha is a polyglot, speaking six languages: Russian, English, French, Spanish, Hebrew, and Portuguese.
In Belgium, she worked under the direction of Christine Delmotte, Daniela Bisconti, Pierre Plume, and Bernard Marbaix, performing in various productions including "Ahmed the Philosopher" by Alain Badiou, "Chair Amour" by Victor Haim, "The Seagull" by Anton Chekhov, and "Hernani" by Victor Hugo.
In Paris, she collaborated with Franck De La Personne, Marie-Do Fréval, Patricia Kozeleff, and Michail Feighin, appearing in shows such as "Labiche", "Cow's Heart", and "Genesis". She also worked on television movies and series, short films, and feature films, including "Sarah's Key" by Gilles Paquet-Brenner and "Olma Djon" by Victoria Yakubov.
Natasha has performed in Paris with Lanford Wilson's monologue "The Moonshot Tape" in English, directed by Jordan Beswick, and Howard Barker's play "Deep Wives/Shallow Animals" directed by Patrick Verchueren. She has also assisted Alain Foix in the staging of his play "Rue Saint Denis" and is working on a Kafka project with Géraldine Bourgue.
In addition to her film and theatre work, Natasha has created her own personal theatre/music show for young people, "I Want to Be Great", featuring music by Ilya Mashkevich. She has also directed her own film, "The Letter to Noémie", starring Marina Vlady, and is currently working at the National Opera of Paris, preparing her next film, a documentary called "Rhapsodie in Major Wandering".
