M.A. Littler's cinematic creations have been described as a unique fusion of European auteur cinema, intellectualism, rock 'n' roll, and a distinct sense of melancholy. His films and writings seamlessly merge the intellectual and the primitive, showcasing an unapologetic affinity for outsiders of all kinds. When asked about this, Littler reveals his fascination with individuals who defy convention, stating: "I'm drawn to people who dance to their own beat, prototypes who fix their radio with a blow torch." These unconventional characters can be found in Littler's documentaries about the Rock 'n' roll underground, including "Voodoo Rhythm - The Gospel of Primitive Rock 'n' Roll", "The Dead Brothers Death Is Not The End", and "ZOWNIR - Radical Man", a portrait of the enigmatic photographer, filmmaker, and crime novelist Miron Zownir.
Over the past four years, Littler has dedicated himself to the existentialist film noir road movie "The Road to Nod", as well as the semi-documentary feature film "The Folk Singer - A Tale of Men, Music & America", which explores the lives of men, the blues, and the dying old America. His latest project, "The Kingdom Of Survival", an interdisciplinary documentary/road movie, is currently in production. Littler's distinctive style is characterized by his adherence to minimalism and a slow rhythm, which sets his work apart from the over-inflationary imagery that pervades contemporary cinema.
