The remarkable Harry Thomas, a makeup artist of great renown, was deeply entwined with the thrilling and chilling cinematic landscape of the 1950s. During this era of horror and science fiction, Thomas had the privilege of collaborating with some of the most iconic figures in the industry, including the illustrious Roger Corman, the enigmatic Edward D. Wood Jr., the imposing Tor Johnson, and the visionary Richard E. Cunha.
Thomas's extensive filmography boasts a plethora of unforgettable titles, including the 1958 cult classic Frankenstein's Daughter, the 1953 space-age adventure Cat-Women of the Moon, the 1954 thriller Killers from Space, the 1953 prehistoric epic The Neanderthal Man, and the 1960 campy classic The Little Shop of Horrors, to name but a few.
Thomas's career in the world of makeup began in the 1930s, when he was fortunate enough to land a position at the esteemed MGM studios, where he had the opportunity to work under the tutelage of the renowned makeup artist Jack Dawn and his skilled assistant William Tuttle.
Thomas's most notable and enduring legacy, however, lies in his work on the horror genre, where he consistently demonstrated his remarkable ability to craft convincing and terrifying creations from even the most limited of resources.
