Born in the year 1932, within the boundaries of Moscow, Soviet Union, to a family of Jewish heritage, he embarked on a life journey that would be marked by significant events and milestones.
The year 1941 would prove to be a turning point in his life, as his mother and he were evacuated to the Ural mountains in a bid to escape the turbulent times. It was here that they would remain until the year 1944, a period of four years that would shape his perspective and worldview.
Fast forward to 1950, he would find himself admitted to the prestigious Moscow Aeronautic Institute, where he would go on to pursue a higher education. The culmination of his academic endeavors would be the attainment of an engineering degree in the year 1955.
During his formative years at the institute, he and a classmate would develop a passion for writing and directing. They would begin penning sketches and overseeing amateur performances staged by their fellow students. As their talents and creative energies blossomed, they would soon attract a troupe of students who shared their enthusiasm and artistic vision.
In the aftermath of graduation, they would continue to write and direct for their troupe, nurturing their creative expression and honing their skills as writers and performers. This early start would lay the foundation for a lifelong pursuit of the arts, and would ultimately shape the person he would become.
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Erich Kandel's professional journey took a significant turn in 1963, as he bid farewell to his military occupation and embarked on a freelance writing career. This marked the beginning of a new chapter in his life, as he devoted himself to crafting plays, scripts for motion pictures, and publishing short stories with his co-authors Eduard Uspensky, Grigory Gorin, and Arkady Arkanov. The duo's collaborative efforts resulted in the publication of two books of short stories, which were met with great acclaim.
The literary world in Moscow took notice of Kandel's talent, as his works were published in esteemed journals such as Literaturnaya Gazeta, Yunost', and Novi Mir. This exposure allowed him to hone his craft and establish himself as a rising star in the Russian literary scene.
However, Kandel's stint as a freelance writer was short-lived, as he took on a new role as an editor for the short documentaries almanac "Fitil'!" from 1965 to 1966. Although this experience undoubtedly refined his skills, he eventually returned to his freelance writing roots, allowing him to maintain his creative autonomy and continue producing works that showcased his unique voice and perspective.
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In the year 1967, a trio of creative minds, comprising Felix Kamov, Arkadiy Khait, and Alexander Kurlandsky, embarked on a collaborative effort to craft scripts for an animated series that would go on to become a behemoth of the Soviet Union's entertainment landscape, as well as a staple in the Eastern European region. This innovative venture, titled Nu, pogodi!, was spearheaded by the visionary direction of Vyacheslav Kotenochkin, who brought his unique perspective to the project through his work at the esteemed Soyuzmultfilm studio.
As the series began to take shape, it quickly gained widespread recognition and acclaim, ultimately solidifying its position as the most iconic and beloved animated series in the former Soviet Union. Its popularity extended far beyond the borders of the Soviet Union, as it also captured the hearts and imaginations of audiences in Eastern European countries.
Fast forward to the present day, and it is astonishingly rare to find an individual in these countries who is unfamiliar with the wolf character from the series. This enduring popularity is a testament to the timeless appeal of Nu, pogodi! and its ability to transcend generations, cultures, and borders.

















