Sidney Lumet

Sidney Lumet

Deceased · Born: Jun 25, 1924 · Died: Apr 9, 2011

Personal Details

BornJun 25, 1924 Philadelphia, Pennsylvania, USA
Spouse
  • Mary Gimbel

    ( Dec 31, 1969 to Apr 9, 2011 )
  • Gail Lumet Buckley

    ( Nov 23, 1963 to Dec 31, 1969 )
  • Gloria Vanderbilt

    ( Aug 27, 1956 to Aug 24, 1963 )
  • Rita Gam

    ( Dec 31, 1969 to Aug 15, 1955 )
Parents
  • Baruch Lumet
  • Eugenia Wermus Lumet
Relatives
  • Jake Cannavale (Grandchild)

Biography

Sidney Lumet was a master filmmaker, renowned for his technical expertise and ability to elicit outstanding performances from his actors. He was particularly known for his nuanced exploration of complex social themes, often set against the backdrop of New York City. Throughout his illustrious career, Lumet directed over 40 films, ranging from powerful dramas to suspenseful thrillers.

Born on June 25, 1924, in Philadelphia, Lumet was the son of an actor and a dancer. He began his career in the theater, making his stage debut at the age of four at the Yiddish Art Theater in New York. He went on to appear in numerous Broadway productions in the 1930s and also made his film debut in the 1939 movie "One Third of a Nation."

Lumet's early success in television led to his feature film directing debut with "12 Angry Men" in 1957. The critically acclaimed drama, which takes place almost entirely in a jury room, won the Golden Bear at the Berlin Film Festival and earned three Academy Award nominations.

The 1960s were a particularly fruitful period for Lumet, with the release of several acclaimed films, including "Long Day's Journey Into Night," "Fail Safe," and "The Pawnbroker." These films showcased Lumet's ability to balance complex storytelling with powerful emotional resonance.

The 1970s saw Lumet continue to push the boundaries of his craft, directing a range of films, from the intense character study "The Hill" to the box-office hit "The Anderson Tapes." His work during this period earned him a reputation as a master of the thriller genre.

The 1980s saw Lumet explore a range of themes, from police corruption in "Serpico" to the complexities of family relationships in "Lovin' Molly." His film "Network" is widely regarded as a prophetic satire on media and society.

Lumet's later work included the critically acclaimed "Prince of the City," "Deathtrap," and "The Verdict," as well as the lesser-known but still impressive "Daniel" and "Running on Empty." His final film, "Before the Devil Knows You're Dead," was released in 2007.

Throughout his career, Lumet was recognized with numerous awards and nominations, including an honorary Academy Award in 2005. He passed away in 2011, leaving behind a legacy as one of the most respected and accomplished filmmakers of his generation.

Career

2004
The Manchurian Candidate
The Manchurian Candidate as Political Pundit
The 400 Million
The 400 Million as Additional Voice (voice)
2006
Find Me Guilty
Find Me Guilty as Director, Screenplay
2004
Strip Search
Strip Search as Director
1999
Gloria
Gloria as Director
1997
Critical Care
Critical Care as Director
1996
Night Falls on Manhattan
Night Falls on Manhattan as Director, Screenplay
1993
Guilty as Sin
Guilty as Sin as Director
1992
1990
Q & A
Q & A as Director, Screenplay
1989
1988
1986
Power
Power as Director
1984
Garbo Talks
Garbo Talks as Director
1983
Daniel
Daniel as Director
1982
The Verdict
The Verdict as Director
Deathtrap
Deathtrap as Director
1981
Prince of the City
Prince of the City as Director, Screenplay
1978
The Wiz
The Wiz as Director
1977
Equus
Equus as Director
1976
Network
Network as Director
1975
1974
Lovin' Molly
Lovin' Molly as Director
1973
The Offence
The Offence as Director
Serpico
Serpico as Director
1972
Child's Play
Child's Play as Director
1971
1969
1968
The Sea Gull
The Sea Gull as Director
1966
The Group
The Group as Director
1965
The Hill
The Hill as Director
The Pawnbroker
The Pawnbroker as Director
1964
Fail Safe
Fail Safe as Director
1962
1960
1959
Stage Struck
Stage Struck as Director
1957
12 Angry Men
12 Angry Men as Director
1956
The Alcoa Hour
The Alcoa Hour as Director