Serge Daney, a highly acclaimed French film critic, entered this world on June 4, 1944, in the culturally rich and vibrant city of Paris, France. His life's work was deeply intertwined with the influential and renowned film magazine Cahiers du cinéma, which he co-edited during the late 1970s, a period that proved to be a pivotal moment in the magazine's history.
Daney's professional endeavors extended far beyond his role at Cahiers du cinéma, as he was a highly productive writer who consistently penned thoughtful articles and in-depth essays on a wide range of cinematic topics, including films, television, and the intricate societal context in which these art forms evolved.
His written contributions were a staple feature in the French newspaper Libération, where he would regularly provide astute critiques and nuanced analyses of the latest cinematic releases, offering readers a unique and informed perspective on the world of film.
Daney's remarkable legacy began to take shape in the years preceding his tragic demise on June 12, 1992, as he embarked on a groundbreaking endeavor, the creation of the quarterly review Trafic, a tangible manifestation of his profound and abiding passion for the world of film, as well as his unwavering commitment to disseminating his extensive knowledge of the subject to a broader and more diverse audience.
Despite exerting a profound impact within the realms of French and European film criticism, the oeuvre of Daney remains strikingly unfamiliar to a broad audience of English-speaking film enthusiasts and scholars.
