Qiu Jiongjiong, a contemporary Chinese artist, was born in the year 1977 in Leshan, Sichuan, China. Currently residing and working in Beijing, this talented individual has been blessed with a unique and early start in the world of art.
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Qiu Jiongjiong's artistic journey began with a focus on static paintings, a style that dominated his early creative endeavors. However, as the year 2007 approached, Qiu Jiongjiong felt an insatiable urge to break free from the constraints of his familiar static medium and instead, opted for a more dynamic and captivating approach, one that would allow him to experiment with the realm of video art.
It was during this pivotal period that Qiu Jiongjiong produced his debut documentary, "The Moon Palace", a project that marked a significant departure from his earlier work and demonstrated his willingness to push the boundaries of his artistic expression.
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Qiu Jiongjiong's filmography boasts a diverse range of works, encompassing two short films, "Rehearsal" (2008) and "Huang Lao Lao" (2009),as well as five feature films, including "The Moon Palace" (2007),"Auntie" (2010),"Xuan Tang Gossip Record" (2011),"Infatuation" (2015),and "Jiao Ma Tang Hui" (2021).
Notably, Qiu's transition from documentary filmmaking to feature films began with "Infatuation" and culminated with "Jiao Ma Tang Hui". This transformation was marked by a shift from oral narration to a more developed narrative structure.
Recurring themes in Qiu's films include the family history of his hometown, Leshan in Sichuan, as well as the family of Sichuan opera. The inclusion of dialogue in Sichuan dialect is a distinctive element that contributes to the unique literary interest and narrative structure of his films.
Qiu's identity as a painter has had a profound influence on his filmmaking style, imbuing his works with a painterly quality. This is evident in his use of scripts based on extensive text writing, as well as his reliance on highly manual production techniques. These elements collectively create a sense of depth and warmth that invites repeated viewings.
Throughout his filmography, Qiu Jiongjiong's work is characterized by its attention to detail, its sense of atmosphere, and its ability to evoke a sense of nostalgia and longing.
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Qiu's early cinematic endeavors have garnered widespread recognition, with multiple selections in the top 10 films at the prestigious China Independent Film Festival. Notably, "Infatuation" was shortlisted for the esteemed 68th Locarno International Film Festival, the 15th MoMA International Documentary Festival, and the 40th Hong Kong International Film Festival, solidifying Qiu's reputation as a talented filmmaker.
As his inaugural feature film, "Jiao Ma Tang Hui" achieved remarkable success, winning the CNC cash prize at the Golden Venture Capital Conference, a testament to its innovative storytelling and production quality. Furthermore, the film secured the HUBERT BALS FUND script and development fund from the renowned Rotterdam, Netherlands-based festival, as well as the WHITE LIGHT post-production award from the Hong Kong Asian Film Investment Association. Additionally, "Jiao Ma Tang Hui" received Later fund support for the Greater Paris Area, Fra, underscoring its international appeal and Qiu's ability to craft compelling, engaging narratives that transcend geographical boundaries.
