Norman Astwood

Norman Astwood

Deceased · Born: Mar 27, 1902 · Died: Feb 7, 1994

Personal Details

BornMar 27, 1902 Kingston, Jamaica, British West Indies
Spouse
  • Margaret Alonzo Hogarth

    ( Jun 13, 1933 to Jul 15, 2025 )
  • Ruth Beard

    ( Jan 24, 1919 to Jul 15, 2025 )

Biography

Norman Astwood was a multi-talented individual who made a significant impact in the entertainment industry, particularly in the race film genre, also known as Black Cinema, during the late 1930s and early 1940s.

Born in the British West Indies, Astwood grew up in Kingston, Jamaica, and later immigrated to the United States through Ellis Island in 1912. He was educated at Wolmer's and later at City College in New York. Astwood's early life was marked by his service in World War I, where he served as an aviator in the British Army and was commissioned as a Lieutenant.

After the war, Astwood returned to the United States and began his career as an actor, singer, and entertainer on stage, radio, and screen. He earned his first success in the popular black Broadway musical comedy "Blackbirds of 1926" and later went to England with the Lew Leslie Blackbirds revue, which had a highly successful run in London.

Astwood's singing talents were also in high demand, and he performed at various popular venues and on the radio in the 1930s, captivating audiences with his dynamic and heartfelt singing. He appeared as a master of ceremonies in the Universal film short "Harlem Bound" and sang the emotional "Machinery" in 1935.

As an actor, Astwood attained screen success in race films, including "Paradise In Harlem," "Sunday Sinners," and "Murder on Lenox Avenue." These films showcased his dominating presence and talent, making him a standout in the genre. Astwood's naturalness, convincingness, great knack for timing, and powerful presence and strong voice brought his characters to life, giving a pleasing and complimentary performance.

Astwood typically portrayed tough, intimidating, macho types and played them perfectly, drawing audiences to him with his rugged good looks and magnetic appeal. He was known for his distinct accented voice, which became a hallmark of his performances.

During World War II, Astwood served as a captain in the U.S. Army and continued to perform, but eventually retired from show business before the war ended.

Career

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1941
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1939
Paradise in Harlem
Paradise in Harlem as Rough Jackson