Jerome Hiler's artistic journey commenced as a painter, with Natalia Pohrebinska at Pratt Institute serving as his mentor. However, it was not long before he became enamored with the visual and poetic possibilities of 16mm experimental film, an encounter that would profoundly impact his creative trajectory.
In particular, the works of Marie Menken, Gregory Markopoulos, and Stan Brakhage left an indelible mark on his artistic path, shifting the focus of his creative energies towards filmmaking. For most of his life, Hiler's work remained largely within his circle of friends, with occasional public screenings.
However, from 1995 onwards, his films have been showcased at various esteemed institutions, including London's LUX film series, the San Francisco Film Festival, the New York Film Festival, and the London Film Festival. Additionally, the Whitney Museum of American Art selected his work for the 2012 Biennial, featuring a week-long screening.
Throughout his career, Hiler has also ventured into feature films and documentaries, taking on various roles such as photographer, editor, or director, often combining multiple responsibilities. Furthermore, he has explored the realm of stained glass, which he considers a sister-art to film.
Under the title CINEMA BEFORE 1300, Hiler has delivered slide lectures on medieval glass, drawn from his extensive collection of photographs, at the Yerba Buena Center for the Arts, Princeton University, and The Art Gallery of Toronto.
Lastly, Hiler has brought his passion for classical music together with film, serving as co-director on the project MUSIC MAKES A CITY.
