James Florian Quinn is a renowned Austrian writer, director, and photographer who has gained recognition for his thought-provoking films that delve into existential themes and the mysteries of the occult.
Born on November 27th, 1995, in Linz, Austria, James initially made a name for himself with his experimental horror short film "The Law of Sodom". This marked the beginning of his signature visual style, which would become a hallmark of his subsequent works.
James's feature film debut, "Flesh of the Void", was a groundbreaking achievement, shot entirely on Super 8 and 16mm film stock. The film's international success and subsequent controversy, including a Christian extremist group's relentless hacking and attempts to erase his production company's website, cemented James's position as a provocative filmmaker.
Since then, James has been a vocal advocate for the preservation and celebration of celluloid film. This passion project culminated in the 2019 short film "Daughter of Dismay", which made history by being the first narrative short to be exhibited in 70mm IMAX and 70mm formats, accompanied by Dolby Atmos audio, shot on a special 65mm film stock.
Throughout his career, James has continued to push boundaries, exploring a wide range of creative endeavors, including a forthcoming feature film. His dedication to his craft and his unwavering commitment to artistic expression have solidified his position as a trailblazing filmmaker in the industry.
