Donald Wolfit, a renowned British stage actor of his era, was celebrated for his awe-inspiring portrayals of King Lear and Tamburlaine, yet he was simultaneously shrouded in controversy. His tempestuous nature and demanding behavior towards the companies he led often sparked outrage, and he was known to be enraged by criticism.
Despite his undeniable talent, critics frequently criticized his companies for their subpar supporting players and garish costumes. Even in death, Wolfit remained a subject of debate. Throughout his career, Wolfit performed in numerous theatre seasons at the Old Vic and Stratford-upon-Avon, but he preferred the freedom and thrill of being a touring player and the star of a vagabond troupe.
In addition to his stage work, Wolfit appeared in numerous films and television plays. One of his most electrifying performances was in the title role of the 1954 film Svengali, where he utilized his hypnotic, piercing stare to induce a permanent trance in Hildegard Knef.
The financial success of his film work enabled Wolfit to fund many of his stage productions. Today, Wolfit is best remembered as the muse behind the 1983 film The Dresser, in which Albert Finney portrays a charismatic actor-manager.
