Catherine Dale Owen

Catherine Dale Owen

Deceased · Born: Jul 28, 1900 · Died: Sep 7, 1965

Personal Details

BornJul 28, 1900 Louisville, Kentucky, USA
Spouse
  • Homer P. Metzger

    ( Dec 31, 1969 to Sep 7, 1965 )
  • Milton F. Davis Jr.

    ( Dec 31, 1969 to Dec 31, 1969 )

Biography

Catherine Dale Owen, a ravishing beauty, was renowned as one of the world's most stunning women in 1925. Her dubious distinction lay in co-starring in the film that contributed significantly to John Gilbert's downfall in the realm of talking pictures. His Glorious Night, released in 1929, was a cinematic endeavor that, for most of the actors involved, was a far cry from glorious. The film's outcome was met with snickers and guffaws from the audience, as Gilbert's passionate declarations of love emerged as high-pitched and comical, courtesy of a probable vocal issue or the limitations of the sound recording technology at the time. These declarations were delivered to Owen's enigmatic Princess Orsolini, whose performance was described by the New York Times as "captivatingly aloof." The combination of the over-the-top dialogue, penned by Willard Mack, and the on-screen interactions resulted in a comical rather than romantic effect.

Catherine Dale Owen's journey began at the American Academy of Dramatic Arts, where she received her training. She made her Broadway debut in 'Little Women' in 1920 and went on to appear in several productions throughout the 1920s, including 'Trelawny of the Wells.' Her performances often exuded an air of refinement, which was partly due to her well-to-do family background in Louisville, Kentucky. She felt most at ease playing society or aristocratic characters, a trait that translated to her film roles. Reviewers frequently commented on her "uncommon beauty," and she was often cast as a decorative figure, as seen in The Case of Sergeant Grischa (1930).

Arguably, her most notable screen appearance was in The Rogue Song (1930),an all-technicolor, all-sound musical opposite Lawrence Tibbett. A contemporary review in the New York Times praised Owen's charms, stating, "beauty is impersonated by Catherine Dale Owen, whose charms suffice for any picture." Alas, in the absence of a greater acting range, her charms alone were insufficient, and after four more minor films, Catherine Dale Owen's cinematic career came to a close.

Career

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1931
Behind Office Doors
Behind Office Doors as Ellen May Robinson
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1930
Born Reckless
Born Reckless as Joan Sheldon
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The Rogue Song
The Rogue Song as Princess Vera
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